Pharaoh of Egypt Art and Architecture of Ancient Egypt
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| Karnak featuring obelisks |
The empire that the Pharaohs expanded through diplomacy, trade and war brought Arab republic of egypt centuries of political stability and prosperity. Coin poured into Egypt from its foreign lands, particularly Nubia, home to the richest gold mines in the aboriginal world.
Giving cheers, looking expert
Much of this money was used by the pharaohs to give thanks to the gods who had helped them in their success. Commissioning magnificent buildings and statues, obelisks and temples gave pharaohs the opportunity to prove off their wealth and generosity to their ain people, as well as to visitors from other lands.
The pharaohs too controlled the news through carvings on the temple walls - an early form of propaganda. Pharaohs - specially Hatshepsut and Ramesses II - used this power of information to its full chapters , to legitimize their own reign and to rewrite failures into glorious successes.
Temples - the next big thing
The god to benefit well-nigh from all the edifice work was Amen-Re, the primary of the gods. His temple at Karnak was expanded repeatedly. This was washed nigh notably by Ramesses II, who added 134 massive columns shaped like papyrus trees, weighing more 100 tons each.
Temples were one of the main architectural innovations of the New Kingdom. They were the most of import buildings in ancient Egypt - cities like Amarna were built around a central temple, with roads radiating outwards.
Regal extravagance
Hatshepsut began the trend by building a magnificent temple at Deir el-Bahri. Others soon followed. Amenhotep III commissioned huge numbers of enormous buildings and was the commencement to build the gigantic statue, or colossus. The Colossi of Memnon dominated the plains around Thebes, while the temples for the pharaoh and his wife, Queen Tiy, set new standards in royal opulence.
Just even these were overshadowed by the building plan of Ramesses 2. Almost every temple in Egypt was rebuilt, redecorated or expanded . In Thebes, the great temple to Amen-Re gained a new entrance with four colossi of the pharaoh, to remind people who was in charge.
Tombs, not pyramids
The other major change was the movement abroad from pyramids to tombs carved out of the rock face, a tendency started by Amenhotep I in around 1500 BC. Other pharaohs followed suit, building their tombs in what became known as the Valley of the Kings, with other valleys used for queens and princes.
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| Click on the prototype for a gallery view |
A ways to an end
The ancient Egyptians had no word for art and no concept of fine art for art's sake. For them, the images had a more important purpose - representing the life of the tomb's occupant and forming the basis of their life afterward expiry.
Art evolves
Yet Egyptian art did evolve over the years. During the reign of Hatshepsut, portraits of both men and women became more feminine, with heart-shaped faces, biconvex eyebrows and kindly smiles. Art changed again in the reign of Akenhaten. New portraits of the royal family replaced graceful images with shocking new pictures. Kings and queens had skinny chests and shoulders, and massive hips, thighs and buttocks. A short shock Akenhaten's willingness to ditch tradition birthday was a forerunner of things to come up. Merely like his decision to abandon Thebes and Amen-Re for Amarna and Aten, the changes died with him.
The backlash confronting his actions and ideas was brutal: aboriginal Egypt was a bourgeois country and soon traditional paintings were back, as the tombs of Tutankhamen and Ramesses Ii would demonstrate all too clearly.
Where to side by side:
Religion in the New Kingdom
Egyptian society - Priests
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Source: https://www.pbs.org/empires/egypt/newkingdom/architecture.html
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